Letendre has said that her work is grounded in metaphors of light, darkness and movement in an ongoing commitment to the process of discovery of the self. Atara (1963) features an eruptive struggle between fields of volcanic reds and a jagged black mass. In it, light is freed from an encroaching eclipse of darkness. Letendre suggests that in this eternal meeting of forces, light escapes annihilation and thus survives. In the words of the artist, “I feel like a space pushing against its barriers. Light and colour, and sometimes the absence of colour, have always been the key elements in my painting.
With its different values, colour reflects the shades of life. But light, from the first shock of birth to the last breath of life – light is my life.” Rita Letendre’s artwork is widely collected throughout North America by governments, public galleries and private organizations. Her work has been exhibited internationally in major centers such as Paris, Rome, London, Tel Aviv, and Osaka. In North America, she has shown her work in such important art hubs as New York, Los Angeles, San Francisco, Chicago, Detroit, Montreal, Toronto and Vancouver. She was appointed to the Order of Ontario in January of 2016.